Archive for February, 2009

SECRET # 7: FINDING CREATIVE GUIDES and CREATIVE GUIDANCE

Tuesday, February 24th, 2009

This post is in response to chapter 7 of 12 secrets Of Highly Creative Women by Gail McMeekin and the topic this week has to do with guides. The question posed is " How are we guided, who guides us and where does guidance come from? What kind of creative guidance do we need so that our creativity can grow and thrive and how do we get it?"

One of the things that struck me about this chapter was that Gail interviewed a number of women who were creatively flourishing. And when they told their stories they attributed a great deal of their success to their supportive and creatively rich family backgrounds.

Most of us are not so fortunate. Many of the creative people I know are wrestling with deep wounds to their creativity and self esteem either because of neglect - their creativity was just not seen or valued - or outright abuse. Which leaves them very hungry for external approval and also particularly vulnerable to criticism.

I am involved with various circles of artists, healers and other highly sensitive types and I often hear people talking about how much they are struggling to recover from probably unintended, but still very hurtful, critical remarks about their creative expressions. So this post is a bit of a plea and a public service announcement for how to best care for the creative people in your life - even if that person is you!

Yes, it’s certainly a good idea for the artist’s themselves to learn how to not jump to the bait and swallow these toxic messages whole. But that is another post.

What I want to address here is the issue of what Gail McMeekin is calling guidance. And what I think of as encouragement and support. In my experience we don't need to be guided around our creativity as much as we need to just make room for it and to find safe and nurturing environments where it can begin to blossom on it's own.

We need to realize that we have a powerful effect on each other. How we speak and the kinds of things that are said can make a huge difference in someone's creative life. I can't tell you how many stories I hear from people about how easily their creativity got shut down. Often all it took was one remark. One nasty comment. A conversation filled with grilling and doubting questioning. The anxiety masquerading as concern.

If you don't think that you yourself are creative ( and that is a WHOLE other conversation) please be careful and gentle with your creative brethren. They are baring their hearts. And souls. They are being very courageous in exposing themselves this way. And they are very sensitive. If their creativity scares or threatens you, please don't take it out on them. Your seemingly innocent comments have a huge impact.  All of this stuff that you say goes in. And it goes in deep.

If any of you reading this are saying out loud or to yourself, “Well, you really shouldn't be so sensitive”, please. Stop it. Right now. You are that sensitive. We are all that sensitive. It's time to stop telling yourself that particular lie.

It matters. It matters a lot how we treat each other around our creativity. So be gentle. Be kind. Be supportive. Always. We have so much power to affect each other. When we put something out into the world, what we want more than anything is love, appreciation and applause. And when we get that, we glow. Our creativity blossoms and blooms into it's rightful, riotous self.

We need to be stewards of each others creative gifts. When we encounter someone’s creative expression we need to learn to have our first response be a big "Yes".  Creativity thrives on yes. It thrives on acceptance and love and kindness. When we are loved as our creative selves we can move creative mountains. We are constantly expressing ourselves and we will do that with greater and greater confidence and joyful enthusiasm if we know that someone has our back.

I run women's creativity groups and have seen how a steady diet of genuine creative encouragement is magic. Utter and complete magic. In a situation where they can count on consistent and heartfelt support I've witnessed people coming back from the dead creatively. The paralysis slowly disappears and creative thawing leads to creative growth. It’s a tremendous gift that we can give to each other, this ongoing practice of believing in someone else more than they can often believe in themselves.

So how can we offer creative guidance? It helps to remember how much potential we have to both hurt and heal.  And to try not to forget that one of our jobs is to be lights for each other. Beacons along the creative path. And that we are ultimately all guides for each other. All the time.

PAINTING FUN

I also want to make an announcement which is that I have a Painting From The Wild Heart weekend workshop coming up soon. The dates are March 13-15 and it will be held here at my Creative Juices Arts studio in Oakland. If you live in the area or know someone in the San Francisco Bay Area who might be interested please pass the word along. There is also affordable lodging close to the studio so out of town students are more than welcome!

Copyright © 2009-2012 Creative Juices Arts.

CONQUERING THOSE NASTY, INNER CREATIVE SABOTEURS

Tuesday, February 17th, 2009

I recently came across a fabulous group of women blogger artists who are being organized by Jamie Ridler and are working with the book the 12 Secrets of Highly Creative Women by Gail McMeekin. Each week whoever wants to reads the assigned chapter and then crafts a blog post in response .

I have come kind of late to the party and so I am beginning my participation by writing about Chapter 6 which has to do with the issue of internal saboteurs and the creative process, one of my favorite topics. I'm always amazed at the many forms that those inner troublemakers take and I have spent my adult life ( and career) attempting to identify them and find ways to strip them of their power.

One thing I have learned is the freedom that comes from simply ignoring them. For example, I just finished writing a section, on marketing of all things, for an expressive arts teacher training manual that I am creating.

Right before I took it to the printers, after I had proofread it at least 25 times and was sure that it was as good as done as it was going to be, I heard "The Voice" come in. You know the one I am talking about. That voice of the inner critic that thinks everything I create is shit by virtue of the fact that I have created it.

As I reread that section one last time I heard "the voice" say something along the lines of " You have got to be kidding me! Are you really going to give this to your students? This is total crap. It makes no sense. It's not very well written at all, I can't believe that you spent so much time putting this together, blah, blah, blah."

I cringed a little, but knew better than to take any of this seriously. And of course when my students read what I had written they loved it. And more importantly, when I read it a few days later, I could see that it was pretty gosh darned good.  And I marveled once again at how utterly convincing this voice can be right when I am on the verge of bringing one of my creative gifts out into the world . If I really listened to it and acted on it's directives all of my creative efforts would be in the bottom of a moldy drawer somewhere and eventually I would stop creating entirely.

I've begun to realize that it comes up at those moments for precisely that reason. It WANTS me to keep all my creative work hidden away. I know, I know.....on some level it is trying to protect me. From criticism and from another issue that apparently plagues a lot of women which is the fear of having too much. It's trying to save me from having to deal with more goodness or abundance or success than it thinks I can handle.

But I think I am at the point where I am ready to take my chances. If making my creative work more visible brings a firestorm of nasty reactions down on my head, so be it. It hasn't happened yet, and I kind of doubt that it will, but if it does, I've got lots of loyal friends who I can count on to help me out if I need protection or a pep talk and a shoulder to cry on.

And if my creative work brings me more fame, money or just adoring fan mail? Or even better yet, more self respect and self love? I think I just MIGHT be ready to try that one on for size!

Copyright © 2009-2012 Creative Juices Arts.

STAYING CREATIVELY ALIVE: KEEPING YOUR EYES OPEN, YOUR JUICES FLOWING AND YOUR SHADOW GREASING THE WHEELS

Monday, February 9th, 2009
One of the things that I love about the creative process, at least most days, is how it keeps me honest. The truth is where the juice lies and as long as I'm "keepin it real" I am continually blessed with an abundant sense of energy and aliveness.


However, aliveness does not always translate as easy peasy. Aliveness is intense and intensity can be more than a little scary at times. Aliveness requires that you make room for all of your experiences and sometimes the thoughts and feelings that you are trying to fend off most fervently are coming up to point you exactly in the direction where you need to be going.

In this article I want to share with you a teaching story that I think is a great example of how our attachment to keeping the hard stuff at bay is what gets in the way our connecting up with our full creative energies. I wish I could credit the following tale, but my memory fails me. I heard it somewhere many moons ago in a workshop or lecture I attended and have loved it ever since.

The story goes like this. An elderly, respected, very wise, holy man is making a pilgrimage to various monasteries to see how things are going in the world of enlightenment. He arrives at one such establishment and asks to be shown around. These monasteries are of course also schools where people come to learn about living life devoted to spiritual practice, and like high school there are grades or levels of training and experience.

He begins his tour by visiting a gathering of first year students.These are raw newbies, who are still a little wet behind the ears, spiritually speaking, but very excited about getting to meet this esteemed master. He sits with them awhile, and then asks them a question, which goes something like this. "How many of you here still experience things like anger, lust, jealousy and hatred?"

The newbies eyes get very wide, a little horrified by the question, and then he starts to see heads shaking vehemently around the room. "No, no, no, siree. Not me! Are you kidding? I am well on my way to enlightenment. I NEVER feel those things anymore. In fact, I really and truly, cross my heart, honest to god, can't even remember when I DID feel those things. It's so long ago now, those nasty old feelings are like a distant memory to me."

He listens to this outburst for a while, then gently smiles at them, bows and takes his leave.

He goes and visits the second, third and fourth year students and asks them all the same question, with similar results. Although the longer they have been in the monastery, the less vehemently do they shake their heads and by the 4th year they are beginning to suspect that this may be a trick question.

So now he arrives at the 5th year students. This group has been in the spiritual trenches long enough that they have begun to figure a few things out. He asks them the same question, and there is an explosion of energy. The heads start bobbing again, but this time it is up and down.

This gang just falls all over themselves, one outshouting the other and what they are saying are things like "Hell yes, I feel angry. In fact, this guy, sitting next to me is really pissing me off right now! I am tormented by lust. I mean who knew that this celibacy thing was going to be such a stone cold drag. I am so full of envy, I'm surprised my eyes don't pop out of my head. I totally resent having to get up at 4 AM to go and sit with the rest of these clowns while they fart and belch and snore. This is not what I thought I signed up for when I decided to devote myself to God!!!" And on and on and on.

The old master grins broadly, gets settled in and begins teaching them at a whole new level. Now that they are willing to fully embrace all their craziness with humor and compassion, it means they are at a place where they are finally open to receiving the richness of what he has to offer.

One of the attractions of creativity is the implicit promise that if you are being truly creative you will automatically and at all times experience joy, a free flow of energy, and even ecstasy if you are lucky.

Well, I am here to tell you that that is one of the biggest crocks of hooey that you will ever come across. The truth is that often the creative process sucks. Whenever you sit down to be creative you are automatically brought face to face with yourself. And what that means is that initially you are brought into very close, very uncomfortable proximity with a wide variety of your most despicable demons and your slimiest and smelliest neurotic patterns. In other words, all of those things you have probably spent most of your life trying to avoid.

Do you have a conviction, deep in your bones, that all your best efforts will never bring you love ? Do you have a life long fear of failure?  A desperate need to please? A deep sense of inadequacy that makes the Grand Canyon look like a dip in the sidewalk? See catastrophe around every bend? Does your perfectionism paralyze you? Your shame keep you small? Your need for control backfire into repeated experiences of self sabotage?

When you engage with authentic creative work, you are unwittingly inviting these things to come roaring to life, pushing and crowding their way to stage front and center of your psyche. And believe me, this process is never very much fun. Why do you think that the history of famous creative types is littered with alcoholics, reefer heads and dope fiends? This stuff is hard and upsetting to deal with and is the number one reason why people don't allow themselves to fully pursue their creative visions.

Creativity CAN open you up into vast reservoirs of energy that are fed by profound experiences of joy and pleasure. But first you need to go through certain dark portals in your psyche. You have to recognize and accept that engaging with yourself creatively means that you are inviting your worst fears, your greatest shame and your most tender, aching heartaches to the table. And that sitting with those old wounds in a spirit of conscious curiosity in order to allow your true self to flourish creatively is good and holy work.

Facing these painful and frightening places in yourself takes tremendous courage. And holding your nightmares, your humiliations, or your low opinion of yourself, with equally tremendous compassion can be a powerful healing process. As painful as this can be at times it is so,so worth it because in the end, whatever holds you back from expressing yourself creatively is really the same stuff that holds you back from experiencing a fully engaged, heart centered life.

And isn't that what we all really want?

Copyright © 2009-2012 Creative Juices Arts.